Welcome to On Verticality. This blog explores the innate human need to escape the surface of the earth, and our struggles to do so throughout history. If you’re new here, a good place to start is the Theory of Verticality section or the Introduction to Verticality. If you want to receive updates on what’s new with the blog, you can use the Subscribe page to sign up. Thanks for visiting!
Click to filter posts by the three main subjects for the blog : Architecture, Flight and Mountains.
"For my part I know nothing with any certainty, but the sight of the stars makes me dream."
-Vincent van Gogh, Dutch impressionist painter, 1853-1890
Height Lineups and the Abstraction of Verticality
Height lineups like this serve to illustrate how important Verticality is to the perception of our tall buildings, and studying this example got me intrigued about the nature of drawings like this. After some digging, I found many more examples of height lineups throughout the past two centuries, and there are curious commonalities throughout all of them. For starters, they are just beautiful drawings to study. On a deeper level, they provide us with a window into the perceived importance of buildings during a given time in history.
Ryōunkaku Tower: Japan's First Skyscraper
This is Ryōunkaku, Japan’s first western-style skyscraper. Built in 1890 in the Asakusa district of Tokyo, Ryōunkaku resembles a lighthouse, with an octagonal plan and a slight taper, topped with two setbacks and a pointed roof. The name Ryōunkaku translates to Cloud-Surpassing Tower, which indicates the importance of Verticality for the building’s landmark status.
Domes and Steeples of the Old World
This drawing is from an 1884 issue of Cram's Unrivaled Family Atlas of the World, and it depicts the Principal High Buildings of the Old World. What’s striking about the composition is how many domes and steeples are featured. Aside from the hulking pyramids in the middle ground, there is a forest of slender steeples running along the background, along with a bunch of bulky domes that dominate the middle of the diagram. Steeples and domes were our most popular methods for achieving Verticality throughout history, with each form pushing up towards the sky and announcing its presence, and therefore importance, to the surrounding landscape.
Verticality, Part X: Conquering The Skies
The construction of the Equitable Building in 1915 ushered in a new age of skyscraper design. Humans were now able to escape the surface of the Earth with our interior environments, and our need for Verticality had ceased to be driven by the unknown. It was now driven by our need to congregate through density and to distinguish ourselves from one-another. Ego had replaced God, and as a result our quest for Verticality would become synonymous with human achievement.
"The human bird shall take his first flight, filling the world with amazement, all writings with his fame, and bringing eternal glory to the nest whence he sprang."
-Leonardo da Vinci, Italian painter and inventor, 1452-1519
The Porcelain Tower of Nankin
This is the Porcelain Tower of Nankin. It stood at a height of roughly 79 m (260 ft), and is one of the tallest pagodas that we have records of. It was built as part of the Great Bao'en Temple in present-day Nanjing, China. Pagodas are usually associated with a temple, which suggests that they function much like a bell tower or steeple, using Verticality to announce the importance of a place.
James Wines and the Highrise of Homes
This is the Highrise of Homes, designed in 1981 by James Wines and his firm SITE. The project consists of a series of stacked levels with individual homes built throughout each level. These homes appear much like the single-family detached homes of suburbia, which is a curious mashup of typologies. Wines is using Verticality to re-arrange a typical suburb into a vertical tower, complete with sidewalks, front and back yards, and pitched roofs. This rearrangement creates some curious scenarios and experiences which are worth pondering.
The Earthquake-proof Depthscraper
Take a look at this design for a subterranean tower from Everyday Science and Mechanics in 1931. The structure was designed by Japanese engineers in response to earthquake concerns, so the building claims to be ‘earthquake-proof’. Technical aspects aside, questions abound regarding the experience of living or working in such a structure.
"Man must rise above the Earth, to the top of the atmosphere and beyond, for only thus will he fully understand the world in which he lives."
-Attributed to Socrates, classical Greek philosopher, circa 470-399 BC
Verticality, Part IX: Man Upends God
The needs of man become more important than the needs of God
After the Renaissance, humanity would largely abandon our ambitions to recreate heaven on earth, and our focus would shift to raising up our bodies as far from the surface as possible. Rather than singular, largely empty spaces, our tallest and most ambitious constructions would become containers of stacked spaces, still with Verticality as the ultimate goal. We were beginning to escape the surface.
Anecdotes : Machu Picchu and A Fear of Heights
I recently took a trip to Machu Picchu in Peru, and spent four days hiking the Inca Trail through the Andes Mountains. The hike included exposed, narrow trails up steep mountain sides and cliffs, and the experience put me face-to-face with a long standing but waning fear of heights. It got me thinking about my personal history with this phobia, and how far I’ve come through exposure therapy.
"Once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return."
-Attributed to Leonardo da Vinci, Italian painter and inventor, 1452-1519
Verticality, Part VIII: God versus Ego
The human world becomes as important as the world of God
The rise of Christianity in the Western world would have profound effects on the built environment and human culture. Two major threads would combine to influence Early Christian architecture and culture. The first is the architecture of the Ancient Romans, who were already wrestling with Verticality. The second is the Book of Genesis and its central theme of Heaven (the above) and Hell (the below). Combine these two, and you get an ongoing battle between God and Ego that would see some of the most impressive structures of all time get built.
Verticality, Part VII: Heavens on Earth
Humanity’s first major attempts to recreate heaven on earth
In the previous section, we explored ancient civilizations and how they utilized Verticality in their architecture. In each of these civilizations, building a structure that connected the surface to the sky was seen as the pinnacle of human achievement. This was done to appease or satisfy some type of god or gods, and untold amounts of time and effort were spent on the road to achieving it. Throughout time, however, the needs of our gods would begin to see competition from the needs of humanity, or our own Ego.
Forests and Verticality
The progression of forest growth over time is based on access to and competition for sunlight. This process is based on Verticality. As a plant grows taller, it casts a shadow on everything below its foliage, hindering the growth of smaller plants below. This process can be found throughout the natural world, and it follows a pattern of regrowth called plant succession.
Verticality, Part VI: Archetypes
Man’s initial attempts to get closer to the sky in each of the five cradles of civilization
How does one achieve physical Verticality? At the most basic level, we can get closer to the sky in two ways. First, we can recreate the human body with singular elements that express height on their own. These objects can be seen as proxies for our own bipedal bodies. Second, we can physically raise the surface under our feet in order to raise our bodies up closer to the sky. These constructions can be seen as recreations of mountains, which are the highest places we can reach in the natural landscape. As our ancestors set out to externalize their need for Verticality, they experimented with both of these methods.
Cities of the Future from the Past
It's always interesting to see how previous generations viewed the future of their cities. In particular, the early 20th century was a hotbed for this type of thinking due to the emergence of the skyscraper as a building type.
Superheroes and Skyscrapers
It’s a common shot in superhero movies for the titular character to be shown on top of a building, looking out over the landscape and the city below. I first took notice of this trope on a recent flight while watching Venom (2018), and I began pondering just how common this shot is.
Anecdotes : A Tale of Two Apartments
Over the past few years, I've had two very different living experiences. The first, a 48th floor apartment in the Financial District of New York City. The second, a first floor flat in Park Slope, Brooklyn. I loved living in each of these apartments immensely, but the differences between the two have taught me a great deal about Verticality and its effects on our lives.